Latest /Books / Chapbook / Poems / Essays / Reviews

Latest Things


As We Know

Subito Press (November 2014)
Project website:

As We Know Cover

In Collaboration with Andy Fitch.

Available through Small Press Distribution or Amazon.

Recently selected by Julie Carr for the Subito Prize, As We Know attempts to invert the gendered history of editorial intervention as it has played out in the famous cases of figures such as Dorothy Wordsworth and Emily Dickinson. At the same time, it repositions erasure procedures at the origins of (rather than in response to) a published text. Here Amaranth Borsuk has taken Andy Fitch’s summer diary and reshaped 60 passages (formatted as daily calendar notations in homage to Robert Creeley’s A Day Book, with its cover design by Robert Indiana) into a new type of collective confessional/constructivist collage that brings her own voice into the text and foregrounds the tensions of authorship. Embracing Roland Barthes’ call for a “corrected banality,” this project presents the most unmediated-seeming idiom—the diurnal, journalistic record—as itself the consequence of methodical and/or whimsical extraction. Nonfiction subjectivity emerges as the product of, not just the source for, erasure poetics. As in Barthes’ own elided memoirs, the resulting work calls into question exactly who we are and what we know.

Selections from the book have appeared or are forthcoming in Evening Will Come, Matter, Dusie, and Ocean State Review, Barzakh (which includes audio of Andy and I reading the work), Seneca Review, Comma, MAKE Literary Magazine, Heavy Feather ReviewCourt Green, Sierra Nevada ReviewPageboy.



Slope Editions (March 2012)

Available through Small Press Distribution or Amazon

Handiwork explores the relationship between writing and torture—the ways poetry can wound us, and the ways it wrestles with language itself. Combining constraint-based writing with fragmented lyricism, the book considers the social and cultural role of the writer with respect to history and memory, and what gets lost in the transmission of trauma from one generation to the next.

“A New Vessel,” one of the poems from the manuscript, was selected by Ilya Kaminsky as winner of the 2011 Gulf Coast Prize. It appears online. Other poems from Handiwork are online at The Society for Curious Thought and The Destroyer, as well as Cutbank.


Between Page and Screen

Siglio Press (April, 2012)

In collaboration with programmer Brad Bouse

Between Page and Screen is a book of poems that contains no text, only stark black-and-white geometric shapes and a web address leading to, where the reader follows instructions to display the book on his or her webcam. Our software detects the square markers in the book and projects poems mapped to the surface of the page. Because the animations move with the book, they appear to inhabit “real” three-dimensional space—a kind of digital pop-up book.

The poems—a series of cryptic letters between P and S, two lovers struggling to define the bounds of their relationship, do not exist on either page or screen, but in the augmented space between them opened up by the reader.

Originally created as a limited-edition hand-made artist’s book, Between Page and Screen, is now available from Siglio Press (25% discount with code SPINTO), Amazon, and through DAP. For more information, visit



Tonal Saw

Chapbook (The Song Cave, 2010)

This chapbook-length poem in thirty parts uses language from a religious tract that was left on my doorstep ten years ago. Vertical slashes score the source text, sawing through the language of religious fervor to write a religion of poetry that worships language itself.


Additional recent poems can be found in print in FIELD, Denver Quarterly, and Colorado Review.


“Artists’ Books in the Age of Digital Publishing.” Commentary, Jacket2 (August 2013 – present).

“Electrifying Literature,” from the panel “Futures of Electronic Literature” at the 2012 Electronic Literature Organization Conference. Electronic Book Review.

Rebooking the Mix.” Guest Post,, April 2012.

“The Upright Script: Words in Space and on the Page.” Journal of Electronic Publishing, special issue, Digital Poetry (2011).

“Transverting the Bestiary: Translating Paul Braffort’s Mes Hypertropes.” With Gabriela Jauregui. Aufgabe 10 (2011): 262-265.

“‘There Have Been Pictures Here’: Spirit Photography and Projective Mediumship in H.D.’s Tribute to Freud.” Journal for Cultural and Religious Theory 10.2 (2010), special issue, H.D. and the Archaeology of Religion: 65-82.

“‘Ma belle machine à écrire:’ Poet and Typewriter in the work of Blaise Cendrars.” Writing Technologies 2.1 (2008): n. pag. (24 pages).


“Andrew Zawacki’s VideotapeLana Turner: A Journal of Poetry and Opinion 7 (2014).

“Latasha N. Nevada Diggs’ TWeRK.” The Poetry Project Newsletter (Fall, 2013).

“‘A Single Hurt Color': K.S. Ernst’s Arrangements.” Evening Will Come [special issue: Women Look at Vispo, ed. Nico Vassilakis], August 2013.

“Terri Witek’s Exit Island.” Lana Turner: A Journal of Poetry and Opinion 6 (2013).

“Up Against the Line: Translating the Silent Image. Virginie Lalucq and Jean-Luc Nancy’s Fortino Sámano, trans. Cynthia Hogue and Sylvain Gallais.” American Letters & Commentary 24 (2013).

“Derek Beaulieu’s Fractal Economies.” Lana Turner: A Journal of Poetry and Opinion 5 (2012). [Reprinted in Galatea Resurrects #20]

“Erica Baum, Dog Ear.” Lana Turner: A Journal of Poetry and Opinion 4 (2011). [Reprinted in Galatea Resurrects #20]

“Robyn Schiff’s Revolver.” Lana Turner: A Journal of Poetry and Opinion 2 (2009): 295-296. [Reprinted in Galatea Resurrects #20]

“Deborah M. Mix, A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women’s Innovative Writing.” Women’s Studies, 37:6 (2008): 750-754.

Twist of Address by Spencer Selby.” Slope 25 (2008): n. pag. (4 pages).